Monday, May 25, 2009

Freelance Photography As a Living by Murray Edwards

So you have purchased a digital camera and now you are ready to go out and make a living as a photographer. Easy you think, take a few pictures, sell them and you are off to the races. Not so quick my friend, unless you are extremely lucky, the road to success is a difficult one. Let us face it, making a living in the amazing world of photography can be fun, but there are many difficulties along the way.

First off, what type of photography are you going to perform? Weddings, portraits, events, editorial or commercial have you given that any thought? Are you going to be one of those who will upload your photographs to a micro-agency and be ecstatic when you receive twenty-cents when someone makes a purchase and downloads an image? Oh boy, you are on your way now!

Wedding and portrait photographers must have the ability to deal with a group of people who are stressed and at times, not very rational. Do you have the right personality to ease a bride to be as she breaks down, or smile while a mother attempts to gather the children for that special family portrait?

Looking to do event photography? You will need to form relationships with the local the baseball and softball leagues, golf courses, racetracks, chamber of commerce, and any form of organization that has or performs civic activities. The ability to review and print on-site is almost a must these days. Be sure that you can accept credit or debit cards for those who do not have cash and desire to a purchase on-the-spot.

Now for editorial and commercial side of things, make sure you understand when and where releases are required. In most cases, the use of an image to tell a story, used in a newspaper, textbook or magazine article, does not require a model or property release, however in some cases a publisher will require one. For any commercial usage of an image that has a recognizable face or facility, get a release. Carry a handful of releases in your camera bag; it will save you much aggravation

Understand your licensing options. If you do not care how the image is going to be used and as long as you have the proper releases then you can provide your customers with a Royalty-Free license, just know that they may, for the most part, reuse the picture as many times and in any manner they desire. You have basically given up your rights to how your hard work is going to be presented.

A Rights-Managed license provides you and your client more control of image usage. Basically, the client agrees to use your picture based of a selection of criteria. An example, suppose a magazine wants to use your image for a inside ¼ page spread with a production run of 25,000 issues and they want exclusive usage of that images for six months, then you charge appropriately.

Having fun yet? You are just getting started, just wanted to begin to educate those who believe that the business of photography is as simple of picking a camera and taking a picture. There is money to be made, just be sure you have a good understanding of the industry before you make the jump and do not leave your daytime job to soon.

Murray Edwards is a freelance photojournalist covering the Southern United States.
http://www.freelancephotog.com/
http://pa.photoshelter.com/c/murrayed

Sunday, May 24, 2009

Call for Entries:First Asia Focused International Photographic Competition

Amateur and professional photographers from around the world are invited to enter the 2009 'Asia Without Borders' Photography Competition, the first internationally-promoted online photography contest organised by the award-winning ASIAN Geographic Magazine.

"We are looking for extraordinary photographs from both amateur and professional photographers that capture the striking images of Asia's land, people, architecture or wildlife," explains ASIAN Geographic's Business Development Director, Leslie Quek.

Entries will be judged over three rounds announcing thereafter, one winner and one runner up in each of the four categories. In addition, an overall grand prize award will be up for grabs. Over S$20,000 worth of prizes await the victors of ASIAN Geographic's first online-delivered international photo contest.

Eligible adult participants may enter the contest by submitting up to 15 photos in any or all of the three open categories: Faces of The Earth, Faces of Asia and Faces of The Wild. There is also a Young Photographer's category - Faces of Freedom - for 21-year-olds and below. Entries should be made online at: http://www.awbphotocontest.com/

The closing date for entries is 30 September 2009 at 23:59 hours, Singapore time (GMT +8)

A selection of the best entries will be exhibited at a public show in Singapore where the final shortlist of 20 images will be judged by a panel of professional photographers from around Asia.

All winning and runners up images will also be published in the December Photo Annual Edition of the ASIAN Geographic Magazine.

The grand prize winner will receive a Canon EOS 5D Mk II, a Jet Airways ticket from Singapore to Delhi and a Lowepro equipment. Each category winner will receive a Canon EOS 50D camera, a Jet Airways return ticket from Singapore to Delhi and Lowepro equipment. Each runner up will also receive Lowepro equipment.

New and existing subscribers of the ASIAN Geographic Magazine can enter the contest for FREE. Non-subscribers are required to pay an US$8 fee to submit up to four images to any eligible category or US$15 to submit up to 15 images.

Photos can be black-and-white or colour, shot with a digital camera or with conventional film. For details of official contest rules, visit: http://www.awbphotocontest.com/rules.php

Friday, May 22, 2009

Fourth Annual Photography In The Parks Photo Contest

As springtime rolls in, Canon U.S.A., Inc., a leader in digital imaging, is encouraging Americans to visit their national parks and photograph their beauty with its fourth annual Canon Photography In The Parks Photo Contest*.

The contest invites photography enthusiasts, from May 15th to September 30th, 2009, to enter by submitting their "Inspirational Nature Images" the theme for this year’s contest. Photos taken at any park or monument in America can be entered through the Canon Digital Learning Center Web site at: www.usa.canon.com/parks.

New this year, Canon will have two contest divisions for photographers between the ages of 13 and 17, and a separate division for adults ages 18 and older. This will enhance the contest experience by allowing aspiring teen photographers to compete amongst their peers.

After entering their photos through the Canon Digital Learning Center, potential contest winners will have the opportunity to forward an e-postcard of their submitted images to friends and family as a fun way to share their photographs. Winning photographers from the Photography in the Parks Photo Contest will receive some of Canon’s hottest photographic equipment. Along with some of Canon’s hottest equipment, the Grand Prize winner will receive a trip to a National Park.

As part of Canon’s Parks Program, a team of photographers will be touring four National Parks from June through August. At each park, the Canon team will host free photography workshops and provide Canon’s top-of-the-line camera equipment for participants to use at no charge. Each class will teach various photography techniques and explore many of the camera functions as participants take a walking tour of the park. Visit www.usa.canon.com/parks for details and a schedule of workshops.

Online visitors and Web surfers are encouraged to browse the Canon Digital Learning Center and take advantage of the various educational resources that Canon has to offer for novices and advanced photographers alike. The Canon Digital Learning Center provides a schedule for a wide variety of Live Learning classes across the country with renowned photographers as well as online resources and tips. The site also features online tutorials for beginners and professionals to learn their way around a digital SLR camera and inkjet printer and unlock the full creative control of digital photography.

Monday, May 18, 2009

Photo Contest to Showcase Work on the Mission Field

Adventures In Missions (AIM), a nonprofit organization based in Gainesville, GA, launched its first Missions Photo Contest in a quest to gather photographs of ministry in action from around the globe. The purpose is to cast a vision for what God is doing in the mission field through a collection of compelling photographs that tell the stories.

AIM founder Seth Barnes was inspired to start the Missions Photo Contest after seeing an image taken of an orphan at a care point in Nsoko, Swaziland. "I saw this photograph and was so taken by it. It captures a soul, a moment, a place and a ministry. It's like visual poetry," he says. Barnes wants to share this experience with more people -- and he wants more photos. "As I continued to stare at it [the photo], I thought, 'We have so many good photographers...we need to showcase their talent.'"

The ultimate goal is to publish a book of the winning photographs that shares the stories and images of reaching out to people in need. "I think it will help cast a vision for what God is doing," says Barnes.

Anyone is allowed to submit a photo of ministry in action for consideration in the contest. Prizes are $3,000 for first place, $1,000 for second, $500 for third, and $250 for fourth and fifth place. Judging will happen in three rounds, and contestants must enter a photo by June 15th to be considered in the contest. For complete contest rules and submission instructions, visit http://www.adventures.org/.

Sunday, May 17, 2009

Profoto $10K Call for Entries for Photo Assistants

Profoto has launched an international photo contest for assistants. Each month a winning photograph will be selected and that assistant will receive international exposure through a full-page ad in photo magazines, be featured in a new web site (http://www.profotoassistant.com/), as well as having his or her work published in web and print articles, blogs and Podcasts. Grand prize, chosen from the monthly winners, is $10,000 in Profoto lighting equipment. Second and third prize winners receive $2,500 and $1,000 worth of equipment, respectively.

"Our objective is to celebrate the creativity and hard work assistants experience every day," said Anders Hedebark, President of Profoto. "In many studios the assistant is responsible for specifying, renting and setting up lighting equipment, so we feel it’s time to provide a community for recognition and exposure."

In addition to the contest, assistants are invited to attend a reception and studio shooting session where they can use and learn about the latest Profoto gear, the Pro-8 Air. The events will be held in many international cities, including Stockholm, Paris, London, Milan, Madrid, Barcelona, New York, San Francisco, Chicago, Miami, and Los Angeles.

Assistants can send up to four photographs each month to www.profotoassistant.com/gallery/. The contest ends on the last day of each month and winners will be announced the 15th of the following month.

Friday, May 15, 2009

Tips For Breaking Into Freelance Newspaper Photography by Peter Phun

So you've honed your skills to the point where you are confident you can get a good picture in any situation.

Have you thought about freelancing for a newspaper? Photojournalism is one of the most challenging, exciting types of photography.

As a result, it is also the most competitive fields to break in to. So what do you need to start?

Reliable Transportation

This should be obvious, but it's intentionally high in this list. All the skills and the best gear in the world without the ability to get on scene is pointless.

Decent photo gear

I consider these minimum requirements:


2 bodies is a minimum requirement. Though you may use one, the other is your backup. (at least 8 megapixels)

a wide angle, a telephoto, a fast 50mm lens, and at least one flash. As to the exact focal lengths, that would depend a lot on what you plan to shoot. Sports shooters need upwards of 300 mm, sometimes even longer lenses depending on the sport.

a good number of memory cards. If all you're shooting is jpegs, then you might be able to get away with 4 to 6 4GB memory cards. They're cheap compared to the past, so don't sweat it. Exactly how many is hard depends on what you're shooting. Again sports shooters will require more of this as well.

a laptop with a WiFi card. The platform Mac or Windows doesn't matter. Just like for your camera, Nikon or Canon, it's just a tool.**optional Mobile broadband card for laptop**

Photoshop Elements is a minimum, the full version is nice but unnecessary. Most of the time, all you have time for is saving your jpegs to the newspaper's specs, attaching captions and then transmitting it to the paper via the internet by either an FTP client or emailing.

cellphone for communicating with editors at the paper.

Optional but not vital is a police scanner. I don't advocate running off and chasing fire trucks and ambulances but sometimes being at the right place a the right time with a camera is all it takes.




    Writing, reporting ability

    Writing and reporting go hand-in-hand. You may not need to write a full blown news story, but you do need to be able to write accurate descriptive captions.

    So proper grammar and ability to gather accurate caption information like names and ages is very important.

    If you consistently provide wrong information and the newspaper has to print a correction each time, they won't be calling you back.

    Good knowledge of current events and sports

    If you're looking to shoot sports, then good all round knowledge of a variety of sports is important. Since popularity of different sports are very regional, I'll leave it to you to figure that out.

    Obviously expect to know Australian Rules football and cricket if you're Down Under, baseball, hockey and American Football if you're in the US and etc. In sports expect to know quite a bit about all types of sports even if you've never played it.

    If you're covering a tennis match, for instance, do you know how the players change sides on the tie-breaker? And how do they score the game? If you don't understand how the game is scored, how do you know when the last point of the match is coming up?

    Keeping up with news is especially important. When big names come through your community and you're on top of it, this is a great way to get your foot in the door. The newspaper may or may not have the personnel to cover everything so your contribution may be welcome.

    Even if they don't use your pictures, you've made first contact. Although it takes years of hard work and dedication to get into the business and there are college degrees offered in photojournalism, starting out as a stringer at a newspaper is achievable if you study publications.
    If you're interested in sports, then subscribe to Sports Illustrated. In my next post, I'll discuss how to get your foot in the door at a newspaper.

    Read a more detailed article on how to start freelancing for newspapers.

    Peter Phun teaches photography at Riverside City College. He does portraits, weddings and editorial work. He writes about photography, Macs and the internet. He also designs websites and is a stay-at-home dad.

    Previously, Peter worked as a staff photographer for 18 years at The Press-Enterprise, Southern California's 4th largest daily newspaper. He is the webmaster for the Mac user group in the Inland Empire. For more information about this Riverside based photographer, visit http://www.peterphun.com/

    Monday, May 11, 2009

    Freelance Digital Photography - Simple Tips On How To Get Started Fast by Terry Edwards

    Photography is considered a hobby for many people. It just takes a good camera, a vivid imagination, and a great subject to capture to be in the field of photography. Even little ones can be interested in photography because many cameras nowadays are just as easy as point and shoot. You can even see the image before it actually comes out in print through a tiny LCD at the back of the digital camera. But did you know that if you love photography and are very enthusiastic about it, you have the opportunity to make money from it? Yes, you certainly can and you can even do it online.

    One way to earn money from your freelance digital photography is to sell your photos to stock photography sites. This is the first step that you can take to earn money from your photos. This may not give you a big amount of money overnight but in time you will benefit from selling your photos to these sites. You do not even have to quit your day job to upload photos to these sites. Treat this like a second income opportunity and you will do just fine.

    Most stock photography sites will pay you a fixed rate based on your photos' sales and there are some that give you entire copyright to your photos so you can charge your buyers with your own rate. You find out much more on this lucrative business at the end of this article.

    To achieve effective sales of your photos online, you have to keep some things in check. Since the photos you will be submitting to online stock photography websites, you have to keep in mind the things that the buyers might want to buy so that you can take photos that will be appropriate for their use.

    Regarding image quality, your photos must have no noise and be in focus. The colors should also come out sharp and balanced. And since these photos are to be used for a variety of purposes, you should not put a logo signifying ownership to you. You should also be able to categorize your photos correctly with the right keywords so that buyers will have an easier time looking for your photos which can give you impressive sales in the end.

    If you are a newbie to photography but would like to try your hand at producing outputs for stock photography, there are certain things that you have to take note of. Of course, you must know how a digital camera works and investing in a good one is probably the best you can do especially if you want to make this a career. To make sure that you are able to update and upload your files as fast as you take your pictures, an internet connection is required.

    The most important thing to do when planning to be a provider of stock photos is to take hundreds of relevant digital photos. Signing up with stock photo websites must also be done as well as learning things like coming up with the proper keywords, etc. so that you can start providing photos for your account on these websites.

    Now that you have an idea of how to earn money from freelance digital photography, why not try your hand at it? Who knows, it could be the start of a more profitable photography business.

    You can find out more about Freelance Digital Photography as well as much more information on everything to do with making money with photography and DigiCamCash at http://www.digicamcashreview.com/

    Saturday, May 9, 2009

    Freelance Photography: How to Begin Your Career by Colin Hartness

    Photography is a vast world. There are many different types of photography and many different kinds of people that enjoy it. It’s a hobby that be relatively inexpensive or one that you can invest a lot of money on. Photos are so special because they give us memories of times and places and events in our lives. We can hold onto these memories forever with a photograph.

    As much as people love photos, many people love taking them even more. Whether it’s a mother who takes photos at every of her children’s moments in life (first smile, first step, first spaghetti meal) or maybe it’s the father who never forgets his camera for a football or basketball game, or maybe it’s the young girl who loves nature hikes with her camera; these people are not exceptions. They all have an eye for those special moments and they all appreciate the camera’s ability to capture that moment and freeze it in time forever.

    - What is Freelance Photography?

    What if you love photography so much you wish you could do it for a living? I mean, you actually get paid for your photographs! But you work solely for yourself, selling each photo or series of photos individually. You don’t have a boss. You work sometimes on assignment and you may sell to magazines. That is freelance photography.

    Freelance photography may be your entire career or it may start out as something you do in your spare time but begin making money from it. It’s just like freelance writing in this sense that many people turn it into a career and enjoy the freedom of working essentially for themselves on their own time and making money doing something they love doing anyway.

    - How to Build a Portfolio

    To start getting jobs as a freelance photographer, you need a portfolio. A portfolio will show samples of your work. Even if you have never had photographs published or publicly displayed, you can start a portfolio of your best work and then add onto it if you win photography contests or start receiving paid work.

    - How to Get Jobs

    As we mentioned, building a portfolio is the first step in submitting your work for pay but when it comes right down to it, it’s the quality of the photo that will determine if you get paid for it. Some people have more of a natural talent for taking great pictures than others but it is a skill that anyone can learn. There are schools dedicated to the art of photography and you can even get a degree in it. If you are just getting started, you can look into classes provided by your local community center or community college. Some cities have photography groups that meet to share photos and tips. There are also many groups online dedicated to photography and freelance photography.

    You need to view as many famous photographs as possible. Take a look at what is getting published and compare it to your own photos. This allows you to compare and learn from other’s work. It takes more than just point and shoot to get a great photo. You need to learn about focus, lighting, colors and backgrounds and much more.

    Once you start learning about photography and creating a portfolio, you can start submitting your photos to contests and magazines. Get a list of photography markets and start submitting to ones that accept your type of photos. Don’t expect to make it to the big times right away. Few people actually achieve this but you can start small and eventually make your way into a nice living from freelance photography.

    Looking for information about Photography? Go to: http://www.asaphotography.com/
    'ASA Photography' is published by Colin Hartness - An excellent resource for Photography! Check out more Photography articles at: http://www.asaphotography.com/archive

    Thursday, May 7, 2009

    Second Annual Energizer Ultimate Photo Contest

    National Geographic magazine has long-represented the "Ultimate" in photography for professional and amateur photographers. Now, through the second annual "Energizer Ultimate Photo Contest," photographers from coast-to-coast will again have the chance to have their photograph grace the pages of the magazine in an ad for Energizer Ultimate Lithium batteries. The winner will also be awarded a trip of a lifetime -- a National Geographic Expedition for two to the Galapagos Islands.

    Beginning today through Tuesday, June 30, aspiring photographers can visit www.nationalgeographic.com/lithium to enter a photo in one of six thematic categories: animals/wildlife, nature, travel, people and cultures, weather and inspiration/Keep Going(r). Whether you are a digital photography novice, a proud picture-taking mom or a long-time photo enthusiast, all skill levels are encouraged to enter.

    "You don't have to be a professional or have professional equipment to take the perfect photo," said National Geographic photographer and contest judge Jim Richardson. "I've seen a lot of great pictures that were taken with perfectly ordinary digital cameras, just because the photographer happened to be in the right place at the right moment."

    After the entry period closes, Richardson will review all of the entries and select two finalists in each category. Then, starting on Aug. 14 and extending through Sept. 15, Americans will be asked to go online and review each of the Category Finalists and vote for their favorite in each category. Once the Category Winners are determined, Richardson will help choose a Grand Prize Winner, who will be announced on or about Oct. 15.

    Visitors to the Web site can also take advantage of a number of "photographer-friendly" features including a list of photo tips developed by Richardson. They can also submit photography questions to Richardson who will provide the answers and respond when he is in between travels.

    Monday, May 4, 2009

    Picture Yourself on Maui at the 2009 Maui Photo Festival and Workshops

    Digital photography has changed everything. The instant feedback in the camera and the creative flexibility of the digital darkroom have spawned a medium with limitless educational potential. Thousands of digital photographers -- novice to pro -- share a passion and a desire to take their skills to the next level. The 2009 Maui Photo Festival and Workshops will take them there.

    The Maui Photo Festival and Workshops will bring world-class pro photographers to one of the world's most photogenic destinations: Maui. This event is scheduled for September 16-20, 2009, at the Hyatt Regency Maui Resort and Spa on Kaanapali Beach. The event presents a blend of classroom sessions, location shoots, real-world assignments and hands-on photo excursions led by professional photographers. Organizers plan a series of event-long photo competitions for both amateurs and pros. Each evening at the MPF&W's Paradise Cinema (an outdoor big-screen theater on Kaanapali Beach), attendees will view the images and hear the stories of presenting photographers; learn the latest digital darkroom techniques from the sponsors; and check out the images shot that day and entered into competition. Complete details (and online registration) are available at the Maui Photo Festival website.

    Presenters for this Maui Photo Festival & Workshops include Canon Explorers of Light Jack Reznicki, Rick Sammon and Eddie Tapp; former aerial combat photographers Stacy Pearsall and Andy Dunaway; award-winning portrait photographer Judy Host; Senior Creative Director at Adobe Systems Incorporated Russell Preston Brown and Adobe Senior Digital Imaging Evangelist Julianne Kost; international fine art photographer and founder of the Pacific Center of Photography, Michael Gilbert; Maui's own fine art photographer Randy Jay Braun; advertising, fashion and architectural photographer Lou Freeman; commercial, editorial and fine art photographer Tony Novak-Clifford; celebrity portrait photographer David Rose; Waimea Bay shorebreak surfing pioneer and photographer Clark Little; international underwater photographer David Fleetham of Hawaii; and more to come. The most up-to-date listing of presenters can be found at the Maui Photo Festival Website.

    This sort of festival could happen anywhere. That's why the organizers intend to have Maui be just as big a star as the presenting pros. Each day will start with optional golden-hour excursions to some of the most beautiful landscapes and seascapes in the world -- including a trip to the top of a volcano -- to shoot some of the most spectacular sunrises.

    The morning keynote presentations, in the Monarchy Ballroom, are meant to inspire. Then we'll break out into three tracks -- Digital Photography Basic Training, Prosumer to Pro, and The Digital Darkroom -- for a series of three one-hour morning classroom sessions.

    Extended afternoon sessions will allow time for demonstrations and hands-on opportunities as well as optional excursions: Underwater photographers will take attendees to explore Maui's reefs; local ocean-going catamarans will pick attendees up from the beach to shoot Maui from the sea; or for the fearless, hop aboard a helicopter with a former aerial combat photographer and get a doors-off island photo tour -- including a rooftop landing at the Hyatt -- for the ultimate photo adventure.

    But organizers warn that for this first festival, attendance is limited to 350 photographer attendees. The four-day festival registration fee of $695 includes an opening reception with pupu (appetizers) and no-host cocktails; three full days of morning keynotes, classroom sessions, and extended afternoon sessions; three more evenings in our outdoor Paradise Cinema on Kaanapali Beach, and a special Sunday wrap-up session. (Check the website for early registration discounts.) Registered attendees will also be able to choose from a list of optional golden-hour and afternoon excursions.

    2009 Event Sponsors include: Adobe Systems Incorporated, Canon, Epson, Hyatt Regency Maui Resort & Spa, Graphic Authority, Hawaii Tourism Authority, and the County of Maui.

    For complete information, including a list of presenting professionals, go to the Maui Photo Festival Website. The Hyatt Regency Maui is offering special Maui Photo Festival room rate (that is too low to publish). Sign up for the email newsletter on the Maui Photo Festival & Workshops website to find out the attendee room rate at the Hyatt, special discounts, and when new presenters or excursions are added. For more information call (808) 283-8438.

    Saturday, May 2, 2009

    Professional Photographers Can Now Gain Customers From Around the World

    A photographer's life is a busy one. Before they know it, the open schedule that they once had is far behind them, leaving no time to handle the specifics of printing and shipping. But with the help of Nations Photo Lab's imageQuix image hosting and online ordering service, this problem can be solved at the drop of a hat.

    Nations Photo Lab's imageQuix allows photographers to become a one stop shop with online proofing and easy ordering for their customers. With the imageQuix software and a pay as you go system, photographers simply shoot an event, upload the images to their custom shopping cart, alert their event attendees and watch as the orders come streaming in.

    The best part is the order fulfillment is taken care of by Nations Photo Lab. There are many great options included in Nations Photo Lab's version of imageQuix; such as the photographer can choose his or her level of involvement with the process. They can choose whether they want to be in Full Control, where all orders can be reviewed by them, before they are placed to NPL or they have the option of Full Service, where all orders bypass the photographer completely and head straight to NPL for printing and shipping.

    Nations Photo Lab's imageQuix is a perfect solution for photographers seeking simplification for their business and an added revenue stream. In today's world- who wouldn't like that combo? Visit http://www.nationsphotolab.com/image_hosting.htm for details or to get started using this online photo hosting service.

    Friday, May 1, 2009

    Photography Information About Freelance Photographers by Bobby D Strunk

    I thought that I could share some photography information about freelance photography. The life style of a freelance photographer can be a dream come true for a lot of photographers. You have the luxury of working for yourself and you get to pick your own hours, plus you get to photograph what you have a passion for. With the right photography information just about anybody that has the desire to get paid to take photos can do so.

    One way that someone could get started in freelance photography is to start out part-time. A lot of photographers begin this way. When you start to make money with your photography you should reinvest some of your earnings back into your business. You may be needing new equipment or more knowledge about freelance photography. Any investment that you would make should increase your profits considerably. There is always something new to learn in any photography, I think that for this reason so many people are drawn to freelance photography.

    One week you may be shooting photos for your stock photography and the next week you can be shooting a wedding. You could even be taking some pictures for a magazine or travel publication.
    Freelance photographers are simply photographers that are self-employed. They create images that are sold as individual images or as collections. The photographer will sell there work to publications, individuals or organizations.

    Freelance photographers are usually people that choose to work independently, also these people are people that are creative in nature and they have the ability to capture unique moments and expressions with there camera.

    One of the most important tools of the freelance photographer is there portfolio. The portfolio is almost as important as the camera. This is how people will see your work and decide if you are the photographer that they need for the type of photography they have in mind. Even if you have not sold any of your work you will need to get your portfolio together. Start out by putting your best work together and add to it as you go. You can find plenty of photography information that will show you how to put together an impressive portfolio.

    Being able to start Shutterbug-Photobiz was a dream come true for me. I'm an internet marketer that can use my love for photography to make a very nice living for myself. Shutterbug-Photobiz has also giving me a great way to help others take hold of their future and live the life that they desire. You can visit at http://www.shutterbugphotobiz.com/ and enter our camera give-away and also get the free photography information that can help you get to where you want to be.